Respectfully, it's not fun, its a complete waste of my time! Its nerdy geeky stuff, when it should be plug and play.
Heard of irony?
And really, the plug and play world today is called
receivers, with their bulk calibrated microphones and fit-for-all (or none) pre-programmed listening preferences.
This is where audio falls well short of photography, and it should be simpler. I can produce a printer profile in minutes, but audio is a different proposition.
I wouldn't know how you compare printer profile production and photography technical skills with audio. Can you elaborate on that?
This is where I get curious - should a very intricate and quite advanced mathematical/physical phenomenon be simpler because someone think it should? There
are things in the world that are not simple and will require quite some effort. Respectfully, all things are not everyone's cup of tea either, however hard you'd like it to be.
I think the Audiolense idea makes sense, given the above. I will check it out. How are the "profiles" applied in 18?
It does. Step one is to properly place your speakers, listening position and optimise your room. Step two would be to get your head above water on how FIR filters work. That is best done other places than at this forum, e.g. at
www.juicehifi.com (Audiolense web page), and user forums discussing the topic. There are multiple text books on the topic as well. Step three would be to buy proper measuring gear (calibrated mic and minimum a two-channel input/output audio card to produce and record sine sweeps). Step four is to measure, play around with filtering, target curves.
Finally, you can have Audiolense generating your filter file. This can be loaded into the Convolution DSP plugin in MC. Voila