Can "Peak Level" be a good indicator of clipping potential?
I have noticed some of my compressed (both lossy and loseless) audio files contain harsh audible clipping.
And I am wondering how good an indicator of clipping potential are the "Peak Level" values found by MC's "Analyze Audio" function?
Thinking about the Digital to Analog process, Nyquist theory, and this excellent article...
I've thought that many (most?) recent CDs are way too hot, most show very unrealistic levels.
Here's a little paper on the subject. Lends a new perspective for me.
http://www.cadenzarecording.com/papers/Digitaldistortion.pdf
...I have the following Observations, Conclusions and Questions:
Observations:
- all of the audio files that contain harsh audible clipping, do have a Peak Level of 100%
- not all of the audio files with Peak Level of 100%, contain harsh audible clipping
- most of the audio files that contain harsh audible clipping, are in Albums where most of the tracks have a Peak Level of 100%
- some albums where most of the files have a Peak Level of 100%, do not contain harsh audible clipping
Conclusions:
- it appears files with a Peak Level well under 100% are safe from clipping
- a Peak Level of 100% is not a sufficient determination of clipping potential by itself
- the best one can do is to review the Peak Levels and ultimately the subjective sound quality of every track after each rip
Questions:
- Is "Peak Level" measuring the maximum sample value, or the maximum value of the reconstructed waveform?
- what other tools could be used to scan libraries for audio files that were recorded too hot (greater than +6dB)?
This is a bit disheartening. One would almost rather have the known distortions of rumble, groove noise, and 3rd order tube clipping; than wondering where and when the digital noise demon will appear.
Michael
Addendum:
Volume Leveling (Reply Gain, Clip Protection) does not remove the harsh audible clipping.
Correct me if I am wrong, but Replay Gain only reduces level (except in rare +dB cases with low Peak Level values).
And as AlexB mentions here, my understanding is that Clip Protection...
... should automatically prevent tracks from clipping if the chosen DSP Studio settings would otherwise cause that.
If clipping exists in the source, such that the reconstructed waveform goes beyond +6dB, clipping occurs (unless the playback hardware is specifically designed to handle it.
I wonder which players/clients handle clipping better than others?