Hi
I got what the volumes are, thanks for the tip where to look at.
This means I need only:
-internal volume
and
-disabled volume
I intend to do speaker and room correction with (and use some VST-Plug-in additionally):
-JRiver convolution engine (use internal volume)
-acourateconvolver (se disabled volume)
so far its clear.
Now I noticed the normalized file *.wav (for JRiver) and *.cpv (for acourateconvolver) designed for no clipping push the level down around -10dB.
However I can put a +10dB gain into the filter-files (*.wav) and *.cpv). If I do that, then JRiver sounds not good anymore looks at is does clip. How to see what the In and Out levels are? Sounds not like clipping, more art of slighly dull sound.
If I do the same with acourateconvolver, it occasionnally clips as seen in the acourateconvolver monitor, sound is still crisp and clear.
I am wondering how the gain structure works. If you have 64bit floating point it would make no difference even 40 dB gain or 40 dB attenuation.
If you have fixed integer 64bit, it matters very much what gains you have in your chain, better you go to the max, i.e. 0dBfs at each stage.
Lets say you push with one equalizer +20dB, then attenuate with the second equalizer -20dB, Adam Riese says you have 0dB gain. What says JRiver: you get clipping and have 20dB more noise probably?
Probably it matters how to distribute the gain, and probably its good to be at the highest possible level just before clipping.
Now to see the levels in JRiver may be not simple. A way may be to use a VST-Plug in and just do a wire (in-to-out). this can be monitored. However, only at one point in the DSP-chain.
Now with a signal-flow diagram including the gain structure you see this immediately, no guessing and endless trials.
Important also where the "internal volume" or "disabled volume" kicks in in that diagram.
I can monitor the software output and the hardware output to any level of detail I need (RME Fireface UFX).