I completely understand. I digitzed much of my vinyl collection using a Korg MR-2000s with the Busman modifications to the input stream, using Vinyl Studio. I experimented with multiple formats and sample rates, including DSD and high rez PCM. I very much liked the DSD sound, but, in the end, I used 192 KHz PCM, since there is just no easily available post processing that can be done in purely DSD format. I wanted to get rid of the pops and clicks and Vinyl Studio did a great job of that, but the results have to be saved as PCM. There is professional software that converts only the part you are fixing to PCM and then converts that little section back to DSD. So, almost all the file is native DSD, with just the corrections having been converted to PCM and back to DSD. Unfortunately, the author of Vinyl Studio tried to do that, but never could get the conversion back to DSD to be seamless. In the end, I decided that there was not enough difference between DSD and 192 KHz PCM to warrant not doing the fixes, so I digitized most of the vinyls to 192 KHz PCM directly. Of course, the difference very much depends on your DAC and your hearing. I found that there was definitely a difference between digitizing to 44.1 KHz versus 88.2/96 Khz and a much less of a difference between 88.2/96 and 192. But, disk space is cheap, so I went with the higher sampling rate. My DAC is a Chord Hugo. At 192 Khz, there was basically no difference in sound between the analog stream from the turntable and the digital stream to the Hugo. Again, that depends on the DAC.