Hi Bob (I'm schizophrenic...and so am I),
I don't know the answers to all of your questions and concerns, but maybe I can help a little.
1. First of all, I too am totally confused as to how to use DSP Studio's Output format/Extra channels dropdown, and even after a thorugh search, the only post I found on the subject was yours in post #1. Either everybody in this forum knows what this is and how to use it (and they don't want to make you feel stupid) OR everybody is as clueless as you are. Maybe one of the devs can jump in at some point and at least explain how this dropdown should be used and if it should be set to "4" to properly account for your 4 Atmos speakers.
2. As far as dialog normalization is concerned, it is more complicated than mere compression of the audio signal. Even a simple compressor, whether in software or in hardware, will compress the ENTIRE audio signal, not just the dialog, so other sounds which really should be in the background will become louder than intended...not a good idea. Some people recommend using the "night mode" available in DSP Studio's "Adaptive Volume", but in my case it does not help at all. In my system it merely makes everything obnoxiously loud when used at normal home theater volume levels, though it probably works great if used as intended - softer volume levels at night. Maybe you could try using the peak limiter in the adaptive mode (you never want to use hard clipping that you get from the "brick wall" type of limiting as far as I am concerned, as that leads to distortion) and then raising the center speaker level. It is not perfect, but it might be better than the wild and crazy center channel levels that movie producers use. The center channel levels of movies vary almost as badly as commercials do on network TV. Back in the old days, when I used Madshi's "eac3to" to demux Blu-rays, there was an option to normalize the center channel on the fly while demuxing. This worked GREAT, but I haven't worked with that command line program for years now....too lazy and I don't even know if Madshi continued its development to include UHD disks.
3. Maybe JRiver would be interested in further developing their "adaptive volume" DSP to be more flexible, like having adjustable amounts of volume boost, as well as having the ability of assigning the DSP to any speaker or combination of speakers.
4. As far as DSP Studio's graphic EQ is concerned, it would be really nice if it were redesigned to adhere more to industry standards, meaning that it should have 31 bands, not 20. The 20 bands, though useful, are just not enough bands to really zero in on problem areas. I know that parametric EQs are much better in this regard, but if the purpose of the graphic EQ is to create a flat response by using the inverse of the measured response, then a 31 band graphic EQ is a faster, more effective tool IMHO. Also, should they see some value in redesigning the graphic EQ, it would really be nice to have it work more like the parametric EQ in the ability to assign and adjust settings for individual assignable speakers or combination of speakers, as well as other options available with the parametric EQ.
5. And finally a word about 3rd party VSTs that are user installed. I have tried installing a couple of free VSTs, but I found that I had no ability to assign them to channels or combination of channels, making them useless for my purposes. By default, is the VST being applied to ALL channels, just the main front channels, or what?
6. Oh, and I almost forgot, I too have NO IDEA why "Tempo and Pitch" mysteriously swtches itself on and off with every movie, but I can verify that the behavior you have described is correct...it happens to me as well.
I know it is not much, but I hope it helps.