" I would much rather that you stopped misinformation at the source, rather than allowing there to be any debate about it. ... which has lead to things like the widespread belief in America that climate change is not happening."
The main difference between audio and climate is that climate is measurable and audio is not.
I was not equating the two things, that's one hell of a misquote.
Allowing misinformation to spread, rather than stopping it at the source (because you want to allow for discussion/debate, or think it may be harmless) is equivalent to much of the media's stance that everyone's opinion is equally valid, whether they are a layman or someone that actually works in that field with years of experience. I then went on to post examples of where allowing this to happen has been disastrous - not to say that audio and climate change are in any way linked or comparable, and I was not intending to shift the discussion over to those things away from this topic.
The myth that audio is measurable has been spread by a group of people who would really really like it to be true. I wish wish wish it were true... but it's not.
If audio is not measurable, how does sampling theorem (i.e. digital audio) work at all!?
If it has been shown that CPU load has no/negligible impact on jitter, why does CPU usage matter?
If we are measuring jitter in
picoseconds, how is it possible that there are timing errors which lie beyond that, and are still somehow detectable by the human ear?
If modern DACs are reclocking the signal they receive, how does jitter at the source even factor in?
If Media Center has a buffer of approximately 40MB of decoded (uncompressed) audio during playback, how can there be a difference between lossless and uncompressed audio playback, when the "source" is decompressed audio in both cases?
You have to listen.
Just listening is possibly the worst way to try and evaluate this sort of thing.
Here is a talk which goes into some of the reasons why.
If you take someone who has never heard either music or recorded audio, there is no way they can tell the difference between a 64k MP3 and a 24/192 high resolution file in an ABX double blind test. Training makes a huge difference.
There have been many tests debunking a lot of audiophile claims that have included audio engineers, "trained listeners", and audiophiles themselves. When proper double-blind testing procedures are followed, suddenly audiophiles can't tell the difference.
That's not to say that audiophiles are always wrong, though